For the past two days, the Telugu film industry has been in turmoil due to the shutdown of theaters. Out of the so-called “four key people,” only two have come forward, and intense discussions have emerged around them. It has been said for the past 15 years that Tollywood has been in the grip of these four individuals, but Allu Aravind repeatedly clarified that he has nothing to do with this. He expressed deep anguish that the number has now grown from four to ten, yet no one seems to care.
He insisted that he doesn’t own any theaters in Telangana, subtly stating that the only theater he owns is AAA in Ameerpet. However, he openly admitted to owning fewer than 15 theaters in Andhra Pradesh, calling it a fact. Likewise, Telangana Film Development Corporation Chairman Dil Raju, also known as Narasimha Reddy, claimed he owns only 35 theaters in Telangana. He criticized the media, saying it is not accurate and often creates unnecessary drama. He also said that there’s nothing wrong if Pawan Kalyan criticizes him—he’s ready to face it.
He mentioned that this issue began in East Godavari and exploded in Nizam (Telangana), questioning how many people are actually aware of this fact. It’s evident that Pawan Kalyan was deeply hurt by the incident and that there is no unity among the four—or now ten—industry figures. Despite this, two of the original four are behaving as if they’re completely innocent, while key players like Suresh Babu and Narayanadasu Na Rangu are acting like they’ve been lightly stung, trying not to react too much.
People in the film circles, especially women, are now wondering what happened to the unity these four shared for the past 15 years. Today, Pawan Kalyan made it clear that he doesn’t want people approaching him directly on film issues, and instead, any problems should be addressed according to government protocols.
As for the root cause of this whole issue, the so-called “four” are unable to name anyone clearly. Over the past 15 years, these four have profited in various ways. Now, they seem to have split into two factions and are openly criticizing each other. However, many in the film industry believe this is only temporary and that they will reconcile soon.
For the past two days, the Telugu film industry has been in turmoil due to the shutdown of theaters. Out of the so-called “four key people,” only two have come forward, and intense discussions have emerged around them. It has been said for the past 15 years that Tollywood has been in the grip of these four individuals, but Allu Aravind repeatedly clarified that he has nothing to do with this. He expressed deep anguish that the number has now grown from four to ten, yet no one seems to care.
He insisted that he doesn’t own any theaters in Telangana, subtly stating that the only theater he owns is AAA in Ameerpet. However, he openly admitted to owning fewer than 15 theaters in Andhra Pradesh, calling it a fact. Likewise, Telangana Film Development Corporation Chairman Dil Raju, also known as Narasimha Reddy, claimed he owns only 35 theaters in Telangana. He criticized the media, saying it is not accurate and often creates unnecessary drama. He also said that there’s nothing wrong if Pawan Kalyan criticizes him—he’s ready to face it.
He mentioned that this issue began in East Godavari and exploded in Nizam (Telangana), questioning how many people are actually aware of this fact. It’s evident that Pawan Kalyan was deeply hurt by the incident and that there is no unity among the four—or now ten—industry figures. Despite this, two of the original four are behaving as if they’re completely innocent, while key players like Suresh Babu and Narayanadasu Na Rangu are acting like they’ve been lightly stung, trying not to react too much.
People in the film circles, especially women, are now wondering what happened to the unity these four shared for the past 15 years. Today, Pawan Kalyan made it clear that he doesn’t want people approaching him directly on film issues, and instead, any problems should be addressed according to government protocols.
As for the root cause of this whole issue, the so-called “four” are unable to name anyone clearly. Over the past 15 years, these four have profited in various ways. Now, they seem to have split into two factions and are openly criticizing each other. However, many in the film industry believe this is only temporary and that they will reconcile soon.
For the past two days, the Telugu film industry has been in turmoil due to the shutdown of theaters. Out of the so-called “four key people,” only two have come forward, and intense discussions have emerged around them. It has been said for the past 15 years that Tollywood has been in the grip of these four individuals, but Allu Aravind repeatedly clarified that he has nothing to do with this. He expressed deep anguish that the number has now grown from four to ten, yet no one seems to care.
He insisted that he doesn’t own any theaters in Telangana, subtly stating that the only theater he owns is AAA in Ameerpet. However, he openly admitted to owning fewer than 15 theaters in Andhra Pradesh, calling it a fact. Likewise, Telangana Film Development Corporation Chairman Dil Raju, also known as Narasimha Reddy, claimed he owns only 35 theaters in Telangana. He criticized the media, saying it is not accurate and often creates unnecessary drama. He also said that there’s nothing wrong if Pawan Kalyan criticizes him—he’s ready to face it.
He mentioned that this issue began in East Godavari and exploded in Nizam (Telangana), questioning how many people are actually aware of this fact. It’s evident that Pawan Kalyan was deeply hurt by the incident and that there is no unity among the four—or now ten—industry figures. Despite this, two of the original four are behaving as if they’re completely innocent, while key players like Suresh Babu and Narayanadasu Narang are acting like they’ve been lightly stung, trying not to react too much.
People in the film circles, are now wondering what happened to the unity these four shared for the past 15 years. Today, Pawan Kalyan made it clear that he doesn’t want people approaching him directly on film issues, and instead, any problems should be addressed according to government protocols.
As for the root cause of this whole issue, the so-called “four” are unable to name anyone clearly. Over the past 15 years, these four have profited in various ways. Now, they seem to have split into two factions and are openly criticizing each other. However, many in the film industry believe this is only temporary and that they will reconcile soon.